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A Giacometti Portrait, by James Lord
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When we look at a painting hanging on an art gallery wall, we see only what the artist has chosen to disclose--the finished work of art. What remains mysterious is the process of creation itself--the making of the work of art. Everyone who has looked at paintings has wondered about this, and numerous efforts have been made to discover and depict the creative method of important artists. A Giacometti Portrait is a picture of one of the century's greatest artists at work.
James Lord sat for eighteen days while his friend Alberto Giamcometti did his portrait in oil. The artist painted, and the model recorded the sittings and took photographs of the work in its various stages. What emerged was an illumination of what it is to be an artist and what it was to be Giacometti--a portrait in prose of the man and his art. A work of great literarydistinction, A Giacometti Portrait is, above all, a subtle and important evocation of a great artist.
- Sales Rank: #277971 in Books
- Brand: Lord, James
- Published on: 1980-07-01
- Released on: 1980-07-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .30" w x 5.50" l, .20 pounds
- Binding: Paperback
- 128 pages
- A Giacometti Portrait
Review
“James Lord's timeless account . . . documents how torturous creation can be, even, or perhaps especially, for a creative genius.” ―Jacqueline White, Ruminator Review
About the Author
James Lord is an acclaimed American author who has lived in France for many years. His books include Plausible Portraits of James Lord, A Giacometti Portrait, Giacometti: A Biography, and four volumes of memoirs. In recognition of his contribution to French culture, he was made an officer of the Legion of Honor.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A Valuable View into the Studio Life of a Great Artist
By Michael D. Tillyer
Alberto Giacometti's career does serve as a bridge connecting an art emanating from a series of cultural (or consider national) ideal sets to an art belonging to the eternal present that is humanist and material.
Neoclassicism's imitation of the good, Romanticism's creative interpretation of nature, Expressionism's subjective reflection, for example, boxed artistic output of the period to which it belonged. For each period, fixed ideas of art ruled supreme over the artist's experience--up to the disturbances, the all out wars of the twentieth century that shredded the notion of culture for much of European intelligentsia.
Giacometti found a way out, albeit a lonely path and one not well understood. And here Lord stepped in as Giacometti's advocate against an establishment whose nature is to tame and classify the wild process of studio life.
Lord's portrait of the portraitist wresting with the portrait of the writer is a closed loop of intertwined subjectivism, but by the observing distance he allows us, we are caused to reflect on the experience of process that is Giacometti's gift to the legacy of Western fine art tradition. From his life on, wakefulness to the experience of making has become the ultimate paradigm of post-modernism, and Giacometti got us here, and Lord saved the snapshot that allowed us to understand it.
The reader will find Lord's exquisitely developed shadow of a studio that is the mise-en-scène perfect for the placement of the odd personality that is the artist. It is not a report he gives, or is it a biography, critique or interpretation; it is an attempt to present what the writer sees exactly as he see it, a parallel process to that of the artist who is flustering to do the same to the writer, but on canvas.
This is not the book to be read once or twice, but it is a little consultant to be kept in the studio preferably.
0 of 0 people found the following review helpful.
easy read and great wisdom for Giacometti
By W
Though it is non-fiction, the whole book are structured as short storywwhich make it easier to follow. The most amazing thing is you could witness, on each chapters, the struggle and the amount of changes of one painting from the beginning till the end. What I pulled out from reading great artists' process is that the best work comes from a place full of risk and determination, eventhough there are doubts. Once in a while during my time reading it, I found a wonderful wisdoms and encouragement from Giacometti's struggle. Great books for everyone. Highly recommended for artists and art students, who are looking for inspiration and encouragement for pursuing art career.
0 of 0 people found the following review helpful.
A Real Artist
By Arthur Bacon
Commissioning Giacometti to paint his portrait, sometimes James Lord would arrive at the studio and Alberto was not there. He was down the street in the smokey cafe with his head in his hands moaning about what a terrible artist he was and how was he ever going to learn to paint for god's sake. This was around 1960, when he was already world famous. Would that more contemporary artists today, in 2014, would question themselves, lament, suffer and struggle to make truly significant art. This is a great read.
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